CURRICULUM
GRANTS
2021. CULTURES CONNECTEES, Drac and La Région Nouvelle Aquitaine, France
2020. Secours exceptionnel, Grant, CNAP, France
idem. AIA, Drac Nouvelle-Aquitaine, France
2013. EXPLORA SUP, Annecy, France
RESIDENCIES
2021. BONFIRE residency, online
2019. MAHAIA residency, Centro Huarte, Spain
2018. IEPA #3 residency, NekatoEnea and Basis e.V, Frankfurt Am Main, Germany
2017. Summer Camp residency, Basillac, France
2016. Yöp workshop, Ametzondo Mall, Partnership with Ikea, Bayonne, France
2014. les Ateliers de la Communale, workshop, since December 2014-2016 Bidart, France
idem. La Envidia , September 29 to November 21, Valencia, Spain
GROUPS EXHIBITIONS (selection)
2024. Primavera Primavera, MECA Frac-Aquitaine, Bordeaux, France
2024. I Told you it's alive, Kapelica Gallery, Ljubljana, Slovenia
2023. Da fest, Sofia, Bulgaria
2023. I Told you it's alive, Kapelica Gallery, Ljubljana, Slovenia
2023. Who Owns the Truth?, Ars Electronica, Linz, Austria
2023. Natura Bio-Robotica, Gruppo 78, Trieste, Italia
2023. Fungible Content, Wro Biennale, Wroclaw, Poland
2021. XxCryptoxX, Futur Now, Setsetset, London, UK
2021. 人工水, MEM,Bilbao, Spain
2021. 人工水, «Apparatus», StationV, Bayonne, France
2021. Bonfire Exhibtion online
2020. #Mahaia2020, Atalante, Sala Rekalde, Polvorin, Bayonne, Bilbao, Pampelune, France, Spain
2019. Cayolar #0, Ass’ Trame-E, Vallée d’Aspe, France
2017. UNE COMMUNAUTE SANS TETE, Summer Camp Residency, Bassilac, France
2017. MONTH OF THE YOUNG CREATION, Yöp workshop, Coop Association, Bayonne, France
2016. LE JARDIN DES ARTEFACTS, Apollo Festival, December, Boucau, France
2016. Art Al Vent XIII, Gata de Gorgos, Spain
2016. CACHET DE LA POSTE FAISANT FOI, Hippocrene Foundation,January, Paris, France
2015. J’AI MAL, J’AI PEUR, Vivoequidem Gallery, Paris, France
2015. LE KABINET DU LIVRE #2, The Kabinet Gallery, Bruxelles, Belgium
INDIVIDUALS EXHIBITIONS
2019. STADT.XML, January and March, IEPA #3, Basis e.v and E.S.A.P.B, Frankfurt Am Main, Bayonne, Germany and France
2019. DUMB THINGS, Second Jeudi Gallery, Bayonne, France
2019. STYRODURODROME, La Centrifugeuse, Pau, France
2019. TRAMES: Academic library, Campus de la Nive, Bayonne, France
2014. DULCES. La Envidia, Valencia, Spain
2013. AH TU T’ES ENCORE ECLIPSE?, Kasual Friday, Bitamine Faktoria, Irun, Spain
2010. SURVIVAL TURTLE CARAPACE, Museum of the Sea, Biarritz, France
LECTURES
Coming 2026.. “Do Biota Want to Collaborate". Laser Talk, Leonardo Journal, 2026/07/12, AUT Univ., Auckland, NZ
2026.. “Unruly Lab. Hacking the protocols of life". Unstable Ecologies, 2026,World Creation Studio, Montréal, Qc, Canada
2025.. “Incub.IA.tor: Bio-engineering and healthcare challenges about plants based organs and I.A prediction“. TABOO - TRANSGRESSION – TRANSCENDENCE in Art & Science 2025/09/12, Kino Šiška, Ljubljana, Slovenia
2025.. . Tek A(rt), “Pyrocumulus“ 2024/03/14, Marmande France
2025.. . . “Sympoïèsis digital de lo vivo: reinventar lo orgánico en la era digital “ . Laboratorio de Estética Critica, Revista Mundana,2025/06/23 Cuenca, Equateur.
2023.. Pyrocumulus. Ecology of Pyrocene. SYMBIOSIS. ISEA2023. May 18th, Paris, France
2022. Pyrocumulus. Speculation with augmented reality about trees’ network, Digital Ecologies in practice, Universiy of Bonn, 29/07/22, Bonn, Germany
2021. Between ecological realities, scientific realities and technological realities: Water as an alive source for Imagination, Renewable Futures, FeLT, University of Oslo, 11/04/21, Oslo, Norway
2021. STADT.XML, ARTE & CIENCIA, Jornada Internacional en Arte Sostenible, Universidad Complutense, Madrid, Spain
2021. Deepfake et artistes, une recherche intuitive et esthétique, la sémiologie au défi des deepfakes, Bordeaux 3, Bordeaux, France
2018. Piratear su cerebro, Hacking the System, AKME, 12/13/2018, UPV/EHU, Bilbao, Spain
REFERENCIES
2026. Technological Mediations for Interspecies Communication ,2026/07/23, Edge Effects
2025. Sympoïèsis digital de lo vivo: reinventar lo orgánico en la era digital, Revista Mundana 2024. Pyrocumulus. Ecologie du Pyrocène. The Book Edition. N° ISBN : 9791041556069
2024. "Pyrocumulus. Ecologie du Pyrocène" art : moteur de recherche. eds extenseibles
2022. Avec Ludovic Chatenet. «Des algorithmes dans l’art. Entretien avec Alizée Armet. Interfaces numériques» 11(2). https://www.unilim.fr/interfaces- numeriques/4827
2022. «Art du monde technologique Écrire du sensible avec et par les 'data'». AusArt 10 (1). https://doi.org/10.1387/ausart.23522
2020. « Les écoles d’art en France: Un enseignement artistique en changement ». Arte y/en/desde la Universidad. AusArte 8(1). https://doi.org/10.1387/ausart.21519
2019. IEPA #3, exhibition book, Basis e.v and NekatoEnea
2014. Partir pour Okapulco, artist’s book,http://www.bsad.eu/opac//index.php?lvl=author_see&id=12900
2014. Kasual Friday, exhibition book 2013-2014, Bitamine Faktoria
2015. Séjour Intergalactique Wild Child Editions
2010. L’île des faisans, exhibtions book, Esa des Rocailles
PRESS
2024. Lucquet-Gad, Ingrid, "Alizée Armet: From the Hybrid to the Hyperlink", Le Quotidien de l'Art, Paris, France
2023. Pricop, Diane, "Pyrocumulus", Obsolete.studio
2023. Ewen Chardonnet,"Alizée Armet and the Ghostly Plants of Damaged Worlds", Makery.info
PUBLICATION
2024. "Pyrocumulus. Une écologie du Pyrocène.", Art : Moteur de recherche Éditions Extensibles
2024. Pyrocumulus. Une écologie du Pyrocène. The Book Edition.
SCIENTIFIC AND EDITORIAL EXPERIENCES
2025. 2026. Chair.TABOO – Transgression – Transcendence in Art & Science (TTT), Session 10B: Homologs,Ljubljana, Slovenia
2026. Peer reviewer. Technoetic Arts
2025-2026. –Project manager ARTE/SCIENZA program, OBNL Generation Davinci, Montréal, QC, Canada
FORMATIONS
2021. Ph.D, dpt Arte, tecnologia y esculptura, Investigacion de arte contemporaneo, Upv-Ehu, Leioa, Spain
2015. Master class. ESA des rocialles, Biarritz, France
2014. DNSEP avec mention, ESAAA, Annecy, France
2012. DNAP option Arts industriels avec mention, ESA des rocailles, Biarritz, France
ALIZÉE ARMET
Artist researcher
An artist-researcher who creates hybrid installations at the intersection of plastic, technology, and biology, she is also a researcher, having obtained her PhD in “Art and Technology” from the University of the Basque Country in 2021. Demystifying the myth of singularity, her practice integrates computation, 3D objects, and organic materials.
. In 2021, she creates a maker - art workshop “P’tits bugs” to young public. In the interest of learning creativity with technology.
Video interview with the artist about her practise: https://vimeo.com/882837462?fl=pl&fe=sh
